Personal Response on Maleficent (2014)

A beautiful, pure-hearted youthful woman, malevolent, has an idyllic life maturation up in a peace-loving forest domain until one day when an assail army threatens the harmony of the push down. Maleficent rises to protect her home from the lands most unappeasable protector, but she ultimately suffers an dissemble so brutal and unpitying that it turns her pure heart to stone. Fuelled by vengeance, Maleficent battles the new queen mole rat of the land and, as a result, placed a execration upon his baby daughter Aurora. As a slightly distinct version of the tale sleeping Beauty, this film focusses on the traditionally evil Maleficent and how an unfairness that wounds her so deeply that the audition understands how she eventually ends up oath the kings baby.\nThe nucleus of this film is abuse, and how the abused bemuse a choice of abusing others or overcoming and remaining loving, open people. The characterisation that expresses this theme is when Maleficents love intere st betrays and violates her by drugging her and uses an iron bowed stringed instrument to cut off her move while she sleeps. Her wings were stolen by someone who she loved and trusted. As shocked as I was to recognize this scene is emblematic of rape and in a young kidskin/family movie, I dont await this as a poisonous thing to send a message of near the man that there is no violate in being a survivor of sexual abandon - that the shame is on the aggressor. I think this message is real important and relevant in todays cab art because although we all know rape, participation rape, marital rape, domestic violence, employment sexual harassment, human trafficking, child prostitution happens all the time, oddly in countries in Africa when hundreds of girls go missing yet governments around the world dont want to face the caper head on and portion out the loose because of their social appearances. The issue also lies with Europe and tourists, examples of this are the mov ie Taken and enlightenment. People look outdoor(a) from the idea of faci...